Professional Tube-Based Microphone/Line Recording Channel
Three independent World-Class modules: tube mic pre, switchable optical/tube compressor, and tube EQ
Warm, Smooth, and Silky Sound Quality
Precision Detented Potentiometers
Selectable VU Metering (mic pre out, compressor out, or Main Out)
Tube Character and Gain Reduction LED Arrays
Balanced XLR and Unbalanced 1/4" Inputs and Outputs
Insert Points Between Preamp and Compressor, and Compressor and EQ
Three Hand-Selected Vacuum Tubes
Professional Signal Processing For use with any Analog or Digital Recording Format
Exceptional Processing Channel For Any Line or Instrument Level Signal
Five-Year Warranty
Specifications
| Attack Time | Fast: 2ms (optical), 0.5ms (tube); Slow: 15ms (for 20dB of comp) |
| Boost and Cut/Frequency Band | ±12dB (wide), ±20dB (narrow) |
| Compression Ratio | Variable: 2:1 to >10:1 |
| Dimensions | 6.5"D x 19"W x 3.50"H |
| Dynamic Range | >100dB (20-20KHz) |
| EQ Frequency Bands | Low
Shelf: 40Hz/120Hz (selectable) Low-Mid: 20Hz to 200Hz/200Hz to 2KHz
(sweepable) Low-Mid Q: Wide/Narrow (selectable) High-Mid: 200Hz to
2KHz/2KHz to 20KHz (sweepable) High-Mid Q: Wide/Narrow (selectable)
High Shelf: 6KHz/18KHz (selectable) |
| Equivalent Input Noise | -130dBu (XLR to XLR, ‘A’ weighted) |
| Frequency Response | 10Hz to 20KHz (± .5dB) |
| Input Impedance | 1.67k ohms (XLR), 1M ohm (1/4") |
| Input/Output Connections | XLR (balanced) & 1/4" (unbalanced) |
| Insert Connections | 1/4" (unbalanced) |
| Low-Cut Filter | -3dB@10Hz to 250Hz (Variable) |
| Maximum Compression | 30 dB (optical), 23dB (tube) |
| Maximum Gain | 65dB (1/4" to 1/4") |
| Maximum Gain XLR to XLR | 83dB (XLR to XLR) |
| Maximum Input Level | +15dBu (XLR), +21dBu (1/4") |
| Maximum Output Level | +27dBu (XLR), +22dBu (1/4") |
| Output Impedance | 600 ohms (XLR), 300 ohms (1/4") |
| Phantom Power | +48v DC (switchable) |
| Power Requirements | 100-125 VAC, 30W (Export units configured for country of destination) |
| Release Time | Fast: 300ms, Auto: 100ms-3sec |
| Total Harmonic Distortion | <0.1% (typical) |
| Tubes | Three Hand-Selected |
| Weight | 12.0 lbs |
| * | Specifications subject to change without notice |
Tube Mic Preamps Series Overview
Pro Dynamic Processors: The Digital MPA™ Solid Gold.
A professional microphone preamplifier is defined by warmth, presence
and clarity – core elements that make an audio processor desirable.
We’ve designed a microphone preamplifier that captures all these
elements, with an exceptionally affordable price.Introducing the
Digital MPA™ by ART. With features like variable input impedance,
selectable plate voltage, dual differential Class A inputs, digital
outputs and sample rates up to 192kHz, it is truly a modern day classic.
Tube MP: The World’s Most Popular External Tube Mic Preamp.
Whether you’re working with a computer, hard disk or digital
multi-track recorder, the Tube MP’s TEC award nominated design will
allow you to obtain professional results at an affordable price. ART
preamps offer warm tone, useful features, and are innovatively
designed. Our line of Tube MP products add presence, clarity and
fullness to any signal, and is exceptionally low-noise. Our Tube MP
Studio V3™ features V3™ Technology (Variable Valve Voicing), which
provides optimized reference points to begin the recording process. V3™
delivers a wide variety of settings designed for various microphones
and DI inputs, including guitars, basses, keyboards, synths, electronic
drums and much more. Don't settle for a copy-cat lookalike. Go with the
real thing - the Tube MP by ART!
Dynamic Tube Processors: TPS & DPS Our ART TPS
features two channels of award-winning ART microphone preamplification.
The DPS has the same preamplifier design, and adds ART’s critically
acclaimed 24 Bit – 96kHz A/D converter – for warm, vibrant and clean
digital audio. As with the TPS, the DPS features our V3™, which
delivers a wide range of professional sounding presets designed to
seamlessly integrate and enhance every microphone, musical instrument
and direct signal you process.